Behringer U-PHORIA UMC22 vs EVO 4x4 USB-C Audio Interface compared — specs, features, and which one to buy for your setup. See the full breakdown on CreatorConfig.
The Ruling
The EVO 4x4 USB-C Audio Interface wins Audio Resolution, Mic Inputs, Monitoring, Creator Features and Connectivity. It is the pricier of the two at $199, so the Behringer U-PHORIA UMC22 stays the pick if $139.01 matters more than those specs.
At a Glance
Every axis is scored out of 10 from the catalog specs below. The scores are relative to the products on this page, so a 10 means “best of these”, not “perfect”, and two identical columns mean the catalog genuinely cannot separate them. Axes the catalog holds no figure for on both sides are left off entirely rather than guessed at.
| Category | Behringer U-PHORIA UMC22 | EVO 4x4 USB-C Audio Interface |
|---|---|---|
| Audio Resolution | 6.3/10 | 10/10 |
| Mic Inputs | 5/10 | 10/10 |
| Monitoring | 7.5/10 | 10/10 |
| Creator Features | 5/10 | 10/10 |
| Connectivity | 5/10 | 10/10 |
| Power | 10/10 | 10/10 |
The Split
Budget 2x2 USB audio interface with MIDAS mic preamp for beginner recording and streaming setups.
It gives up loopback and sample rate to the EVO 4x4 USB-C Audio Interface. It is the cheaper of the two, by $139.01.
Leads on
Desktop audio interface intended for creator workflows, microphone input, monitoring, and clean signal routing.
On paper the EVO 4x4 USB-C Audio Interface takes loopback (Yes), sample rate (192kHz, +144kHz), XLR inputs (2, +1) and headphone outputs (2, +1). It also leads on TRS outputs. It concedes nothing measurable on the sheet. That costs $139.01 more than the Behringer U-PHORIA UMC22.
Leads on
Loopback routes computer audio back into the stream without a second interface or cable.
Higher sample rates capture more audio detail — important for professional recording and mixing.
More XLR inputs let you record multiple microphones simultaneously.
A second headphone output lets a guest monitor without a splitter.
More TRS outputs allow routing to studio monitors and outboard gear.
These 6 specs are the same on both of them, so none of it is part of the decision.
The Record
A group is won by whoever takes more of its rows outright. Specs the catalog cannot rank are shown but never decide a group.
Bottom Line
The EVO 4x4 USB-C Audio Interface is the pick on the specs the catalog holds, but “better on paper” and “right for you” are different questions. Each case below names what the product is actually good at and who that suits.
The clearest difference is loopback, which the EVO 4x4 USB-C Audio Interface has and the Behringer U-PHORIA UMC22 does not. Across the catalog's specification sheet the two differ on 5 specs. They match on 6 specs, including bit depth, phantom power and direct monitoring. Two audio interfaces from Behringer and Evo, each taking a different approach to audio quality and I/O flexibility.
Get the EVO 4x4 USB-C Audio Interface. The EVO 4x4 USB-C Audio Interface wins Audio Resolution, Mic Inputs, Monitoring, Creator Features and Connectivity. It is the pricier of the two at $199, so the Behringer U-PHORIA UMC22 stays the pick if $139.01 matters more than those specs.
Both share 6 specifications in the catalog, including bit depth (24-bit), phantom power (Yes), direct monitoring (Yes) and ADAT expansion (No), among others. None of those is a reason to pick one over the other.
The EVO 4x4 USB-C Audio Interface costs $199.00 against $59.99, a difference of $139. The premium buys loopback (Yes), sample rate (192kHz) and XLR inputs (2). Whether that is worth it depends on which of those you would actually use.