EVO 4x4 USB-C Audio Interface vs Focusrite Scarlett 2i2 (4th Gen) compared — specs, features, and which one to buy for your setup. See the full breakdown on CreatorConfig.
The Ruling
The EVO 4x4 USB-C Audio Interface wins Monitoring and Connectivity — but only just, and the rest of the chart is close. It is also the cheaper of the two, by $0.99.
Unless…
At a Glance
Every axis is scored out of 10 from the catalog specs below. The scores are relative to the products on this page, so a 10 means “best of these”, not “perfect”, and two identical columns mean the catalog genuinely cannot separate them. Axes the catalog holds no figure for on both sides are left off entirely rather than guessed at.
| Category | EVO 4x4 USB-C Audio Interface | Focusrite Scarlett 2i2 (4th Gen) |
|---|---|---|
| Audio Resolution | 10/10 | 10/10 |
| Preamps | 8.9/10 | 10/10 |
| Mic Inputs | 10/10 | 10/10 |
| Monitoring | 10/10 | 7.5/10 |
| Creator Features | 10/10 | 10/10 |
| Connectivity | 10/10 | 5/10 |
The Split
Desktop audio interface intended for creator workflows, microphone input, monitoring, and clean signal routing.
On paper the EVO 4x4 USB-C Audio Interface takes headphone outputs (2, +1) and TRS outputs (4, +2). It gives up preamp gain and dynamic range to the Focusrite Scarlett 2i2 (4th Gen). The two are priced the same, so price does not decide it.
Leads on
A second headphone output lets a guest monitor without a splitter.
More TRS outputs allow routing to studio monitors and outboard gear.
Two-channel USB-C audio interface with studio-grade preamps for recording, streaming, and vocals.
On paper the Focusrite Scarlett 2i2 (4th Gen) takes preamp gain (69dB, +11dB) and dynamic range (120dB, +7dB). It gives up headphone outputs and TRS outputs to the EVO 4x4 USB-C Audio Interface. The two are priced the same, so price does not decide it.
Leads on
More gain drives quiet dynamic microphones like the SM7B without a separate booster.
Wider converter dynamic range means less noise between the quietest and loudest parts of a take.
These 10 specs are the same on both of them, so none of it is part of the decision.
The Record
A group is won by whoever takes more of its rows outright. Specs the catalog cannot rank are shown but never decide a group.
Bottom Line
The EVO 4x4 USB-C Audio Interface is the pick on the specs the catalog holds, but “better on paper” and “right for you” are different questions. Each case below names what the product is actually good at and who that suits.
The largest gap is headphone outputs, where the EVO 4x4 USB-C Audio Interface leads — 2 against 1. Across the catalog's specification sheet the two differ on 4 specs. They match on 10 specs, including connection type, sample rate and bit depth. Two audio interfaces from Evo and Focusrite, each taking a different approach to audio quality and I/O flexibility.
Get the EVO 4x4 USB-C Audio Interface, narrowly. The EVO 4x4 USB-C Audio Interface wins Monitoring and Connectivity — but only just, and the rest of the chart is close. It is also the cheaper of the two, by $0.99.
Both share 10 specifications in the catalog, including connection type (usb-c, xlr, trs), sample rate (192kHz), bit depth (24-bit) and phantom power (Yes), among others. None of those is a reason to pick one over the other.