Audient EVO 16 Audio Interface vs Arturia MiniFuse 2 compared — specs, features, and which one to buy for your setup. See the full breakdown on CreatorConfig.
The Ruling
The Audient EVO 16 Audio Interface wins Monitoring, Creator Features and Connectivity. It is also the cheaper of the two, by $20.99.
Unless…
At a Glance
Every axis is scored out of 10 from the catalog specs below. The scores are relative to the products on this page, so a 10 means “best of these”, not “perfect”, and two identical columns mean the catalog genuinely cannot separate them. Axes the catalog holds no figure for on both sides are left off entirely rather than guessed at.
| Category | Audient EVO 16 Audio Interface | Arturia MiniFuse 2 |
|---|---|---|
| Audio Resolution | 7.5/10 | 10/10 |
| Preamps | 10/10 | 9.4/10 |
| Mic Inputs | 10/10 | 10/10 |
| Monitoring | 10/10 | 7.5/10 |
| Creator Features | 10/10 | 5/10 |
| Connectivity | 10/10 | 2.5/10 |
The Split
Desktop audio interface intended for creator workflows, microphone input, monitoring, and clean signal routing.
On paper the Audient EVO 16 Audio Interface takes ADAT expansion (Yes), TRS outputs (8, +6), headphone outputs (2, +1) and dynamic range (121dB, +11dB). It also leads on preamp gain. It gives up bus powered and sample rate to the Arturia MiniFuse 2. It is the cheaper of the two, by $20.99.
Leads on
ADAT lets you add eight more inputs later instead of replacing the interface.
More TRS outputs allow routing to studio monitors and outboard gear.
A second headphone output lets a guest monitor without a splitter.
Wider converter dynamic range means less noise between the quietest and loudest parts of a take.
More gain drives quiet dynamic microphones like the SM7B without a separate booster.
USB-C audio interface with dual combo inputs, direct monitoring, and creator-ready loopback support.
On paper the Arturia MiniFuse 2 takes bus powered (Yes) and sample rate (192kHz, +96kHz). It gives up ADAT expansion and TRS outputs to the Audient EVO 16 Audio Interface. That costs $20.99 more than the Audient EVO 16 Audio Interface.
Leads on
Bus power means the interface runs off USB alone — no wall adapter to carry or find a socket for.
Higher sample rates capture more audio detail — important for professional recording and mixing.
These 6 specs are the same on both of them, so none of it is part of the decision.
The Record
A group is won by whoever takes more of its rows outright. Specs the catalog cannot rank are shown but never decide a group.
Bottom Line
The Audient EVO 16 Audio Interface is the pick on the specs the catalog holds, but “better on paper” and “right for you” are different questions. Each case below names what the product is actually good at and who that suits.
The clearest difference is ADAT expansion, which the Audient EVO 16 Audio Interface has and the Arturia MiniFuse 2 does not. Across the catalog's specification sheet the two differ on 7 specs. They match on 6 specs, including connection type, bit depth and phantom power. Two audio interfaces from Audient and Arturia, each taking a different approach to audio quality and I/O flexibility.
Get the Audient EVO 16 Audio Interface. The Audient EVO 16 Audio Interface wins Monitoring, Creator Features and Connectivity. It is also the cheaper of the two, by $20.99.
Both share 6 specifications in the catalog, including connection type (usb-c, xlr, trs), bit depth (24-bit), phantom power (Yes) and XLR inputs (2), among others. None of those is a reason to pick one over the other.
The Arturia MiniFuse 2 costs $149.99 against $129.00, a difference of $21. The premium buys bus powered (Yes) and sample rate (192kHz). Whether that is worth it depends on which of those you would actually use.